Tuesday, October 25, 2011

English Spelling & Pronunciation - Why the Discrepancy?

The discrepancy between spelling and pronunciation of words is perhaps the most difficult part of learning English as a second language. Or for that matter as a first language. How did this discrepancy develop?

David Crystal in By Hook or by Crook devotes a few pages to the history of English spelling that I will summarize here.

Irish monks living in England developed the first writing system for English during the Anglo-Saxon period. They did a fairly good job of recording the language as it was spoken. One problem they encountered was the difference in dialects between areas of England. Spelling phonetically resulted in hundreds of words with different spellings in different parts of the country. "Old" for example was spelled "eald" in the south but as "ald" in the north.

After the Norman Conquest (1066) the writing of English was taken over by the French who introduced their own peculiar way of spelling. Some of the Norman French contributions to English spelling are: "qu" for "cw" (thus cwen became queen), the "ou" in words like mouse and house, and the "gh" in might and rough. The Old English alphabet, with lots of up and down strokes made it hard to read words with adjacent letters "n", "m", "v" and "u", so they frequently substituted "o" for "u" making words like come, love, and son. As Crystal explains "[this] certainly helped legibility, but it added a new set of complications to spelling".

Later spelling "reformers" near the end of the Middle Ages decided that spelling should reflect a word's history, so words with a Latin origin were changed to remind readers of the original Latin word. This resulted in the "b" in debt (to remind us of Latin debitum) and the "o" in people (for Latin populum), among many others. Most modern English speakers do not view these changes as an improvement (my understatement of the day).

So why have these spellings persisted? It's not for lack of reformers. Many scholars over the years have made spelling reform proposals. All but one (more on the exception in a minute) were met with fierce resistance. No one wanted to have a new system imposed on them, even if it would make life easier (witness the resistance to metric in North America). It didn't help that the reformers couldn't agree among themselves on a single system. I have an entire book on the subject of English spelling in my language library - Righting the Mother Tongue by David Wolman - which I will delve into for more detail another time.

Now for the exception among spelling reformers: Noah Webster. His proposals came at the right time and place to gain national acceptance - the formation of the new nation of "The United States of America". Strong anti-British sentiment lent support to his proposal in 1789 for America "as an independent nation... to have a system of our own, in language as well as government." His 1828 "American Dictionary of the English Language" became the standard for American English. Webster of course only did the job of reform half way - if that. He dropped the "u" from words like colour and the "o" from diarrhoea but left the vast majority of irregularly spelled words (nearly 1/4 of the words in a modern College dictionary) the way they were. And of the words that he did change, Canada adopted both British and American versions, only adding to our spelling complexity (see my June 23 post "Canadian English, Eh?"). His opportunity may never knock again.

There is some hope, however. Modern linguists are watching the way English is being used in social media like email, chatrooms, and blogs. Here grammar, punctuation and spelling are greatly simplified, more or less without loss of meaning. Blogging is of particular interest where more complex ideas are being published but, as Crystal puts it, "without the intervention of an editor or proof-reader, so it is more like 'speaking in print' than anything before". Perhaps this is the beginning of grass-roots language reform.

Are you a traditionalist or reformer? I'd like to hear your thoughts on English spelling.

Sunday, October 23, 2011

The Original Word Order

The October 23 AWAD email had a link to a news article on the word order of the first language. Talk like Yoda? We May have originally by Natalie Wolchover in the Science website of msmbc.com. She was reporting on a paper published in the Proceedings of the National Academy of Sciences by Merritt Ruhlen and Murray Gell-Mann, co-directors of the Santa Fe Institute Program on the Evolution of Human Languages.

Of the six possible word orders of Subject, Object, Verb, slightly over half of the 2,000 languages they looked at are SOV (I you like). English is SVO (I like you) while Latin and German are SOV. The SOV order, the authors claim, is the most likely order for the proto human language from which all the rest have evolved. Incidentally, it is also the word order spoken by Yoda in Star Wars, hence the title of the article.

Ruhlen and Gell-Mann came to this conclusion after creating a family tree of the world's languages and discovering a clear pattern. While SOV languages changed into other orders, the other orders never changed into SOV. Therefore SOV had to be the original order.

A previous article had also predicted SOV as the original but based on an entirely different information. Tom Givon, a linguist from the University of Oregon, argued that the SOV order is the most natural to humans as evidenced by how children learn language.

So, perhaps Yoda's speech would not seem so strange to a German?

Sunday, October 16, 2011

A-Hunting We Will Go

Ever wonder about the a- tacked in front of some verbs? Where did it originate? Does it (or did it) have any special meaning?

We're familiar with this construction now only from a few old folk songs like "A-hunting we will go", a few old English Christmas carols "Here we go a-wassailing" and "six geese a-laying", and the 1969 film "Daddy's Gone A-Hunting" which borrowed the name (and little else) from a silent 1925 MGM film of the same name. It is also found in a line of the Knight's song to Alice in Through the Looking Glass: "an aged aged man, A-sitting on a gate" (http://en.wikipedia.org/wiki/Haddocks%27_Eyes).

Wikipedia describes it as an "archaic intensifying prefix". David Crystal in By Hook or By Crook explains that the a- originally meant the action is on-going, something you do over and over. "A-sitting" indicates the old man had been sitting on the gate for a long time, or was accustomed to doing so. Its use in this regard died out centuries ago but has been kept alive by poets and song-writers who found it useful to fit the meter of their compositions. All of the examples given above are relatively recent and likely used for this reason. "A-wassailing" was composed about 1850 and "A-hunting we will go" was written in 1877 for "The Beggar's Opera". "The Twelve Days of Christmas" is older, first published in 1780 and likely somewhat older than that. Through the Looking Glass was published in 1871.

The a- construction also survived at least into the 20th century in the Appalachian English dialect. One can imagine a stereotypical hillbilly leaning on the door of his mountain shack, rifle in the crook of his arm, saying "I ain't afeerd o' nobody". It was taken there by the early settlers and because of their cultural isolation survived long after it was dropped by English-speakers everywhere else. For more on this fascinating dialect see http://en.wikipedia.org/wiki/Appalachian_English.

Lately I've been a-reading By Hook or By Crook by the English linguist David Crystal. It's subtitled "A Journey in Search of English" but I would describe it as a "delightful romp". As Crystal describes his journey through Wales and England recording local dialects, his narrative gets sidetracked into many different directions, all of them (to me anyway) quite interesting. I will share more of these in shorter posts like this one rather than wait for time to compose longer essays.

Sunday, September 25, 2011

Riding, Farthing, Reeve & Sheriff

Here in Saskatchewan, we are coming up to a provincial election. Each district in which a Member of the Legislative Assembly (MLA for short) is elected is called a riding. This word has an interesting etymology – it started when the County of Yorkshire was divided into three administrative divisions by the ruling Danes probably in the 10th century.

Yorkshire was ruled by the Danes between 866 and 1066 which resulted in a higher proportion of Old Norse words adopted into Yorkshire English than in any other part of Britain. One of these words was thrithi for thirds. This became thriding in Old English when applied to one of the three Yorkshire divisions – West Thriding, East Thriding and North Thriding. Because of the “t” or “th” endings of the first words in the names, the “th” of thriding was dropped to form simply riding. My Bielby ancestors on my maternal grandmother’s side came from a small village in East Riding.

A similar word is farthing, created from a “fourth-ing”. A farthing is an English coin worth ¼ of a penny – the smallest coin in British currency, hence symbolically of very little value. In Tolkien's The Lord of the Rings, a farthing is one of four regions of the Shire.

While on Saskatchewan politics, another word that comes to mind is reeve. In the western provinces and parts of Ontario, the reeve is the elected chair of a rural municipal council (equivalent to the mayor of a town). Reeve comes from Old English “gerefa” and was used in Anglo-Saxon times in Britain for a number of minor local officials. It is no longer used in Britain (to my knowledge) but has survived in “the colonies”. Similarly sheriff originated as “shire reeve” – the reeve of a Shire. I don’t know to what extent a sheriff is still used in Britain, but the position was made famous by American western novels and movies, and is still used today, in varying roles, in many American States and in Canada.

So at election time, remember that the word riding originally meant a third of Yorkshire, and reeve was rescued from extinction by Canadian municipal government. And when reading a Zane Gray or Louis L’Amour novel or watching an old “cowboys and Indians” movie, remember that the hero’s title of sheriff originated as a “shire reeve” in England. Of course not all sheriffs are heroes – like any government official, a sheriff’s position is susceptible to corruption, as attested to by the reputation of the Sheriff of Nottingham in the Robin Hood stories.

Sunday, September 11, 2011

Who, Whom and Wham

In the last post I quoted a newspaper columnist’s dismay at the degradation of English, particularly the incorrect use of who and whom. Linguistics professor John McWhorter mentions this particular pair of words in Lecture 19 of The Story of Human Language. In this lecture, titled “The Fallacy of Blackboard Grammar”, McWhorter argues that the idea of speaking “incorrectly” is a property only of the minority of languages which have a written standard. For most of the world’s languages – which are oral only (think Amazonian natives) – this notion would be absurd.

The rules of English grammar were first encoded by two authors writing in the 1700s. Their books A Short Introduction to English Grammar by Robert Lowth (1762) and English Grammar by Lindley Murray (1794) set out for the first time rules for English speakers. Many editions and similar texts followed – their influence lives on more than 200 years later.

There are two different approaches to linguistics. Lowth and Murray were following the Prescriptive approach – telling people how they ought to speak. Modern linguists prefer the Descriptive approach – describing how people actually do speak. To be fair to Lowth and Murray, English was, during their time, becoming an international language and standardization of the spoken and written language would be useful. They were also writing long before the modern science of linguistics had developed.

Lowth and Murray believed that Latin and Greek were superior to Modern English because of their many case endings in both verbs and nouns. They rescued the few remaining case endings of nouns that had not already been lost from Old English and standardized them. Many of these are pronouns with different words for subject and object: I/me, he/him, she/her, and who/whom. Imagine if there were sets of 4 or more (not just pairs) of these for every noun! My older brothers studied Latin in high school and found these case endings a chore to memorize. I’m grateful that English has been greatly simplified, at least in this respect.

Let’s look at who/whom for example. In Old English there was a different word for each of the following noun cases:
                  Case                              OE    Modern           Example
            Nominative (subject)   hwā     who     Who gave you my book?
            Genitive (possessive)  hwæs   whose  Whose book do you have?
            Accusative (object)      hwone whom  Whom did you see with my book?
            Dative (recipient)         hwām  wham  Wham did you give my book?

The modern form of the dative case wham is italicized because it does not exist in any dictionary. Its role is adequately covered by “to whom” and, I think it’s safe to say, it has never been missed. According to Wikipedia, the Dative case is completely absent in modern English, having merged with the Accusative case during the Middle English period to form one Objective case. McWhorter’s argument is that like wham, whom is also unnecessary.

The demise of whom is predicted by many, not just because it is a relic of an archaic system, but because of the observation of its declining use in everyday speech. This demise is not imminent, however, as the loss of whom is a grammatical change, not a lexical one, which typically takes much longer - often centuries – to complete. Language purists strive to slow this process even more but their cause will eventually fail.

The more I think of it, the more I like wham. Let’s start a movement to bring wham back into the English language. Wham shall we direct this movement first?

Saturday, August 27, 2011

Language Degradation

The Saskatoon Star-Phoenix published a column in this morning’s paper by Bronwyn Eyre titled “Who still appreciates proper grammar?” In it Eyre laments the loss of proper grammar in speech and writing: “…for me, the inexorable disappearance of whom and the non-nominative use of who, frequently by people who should know better, puts me into a mini-melancholy.” After describing the proper and improper usage of who and whom, and a few other common grammatical errors, she concludes “The reason grammar and usage aren’t much taught in schools these days, I expect, is that many teachers no longer know the distinctions in question. Which, for a who-whom stickler like me, is a sad development indeed.”

I’ve been thinking of writing on this topic for some weeks, so this column provides the necessary motivation to tackle it (and a wonderful introduction - thanks Bronwyn!).

Every generation has writers with serious concerns about the (then) current degradation of their language. Most believe that a generation or two back the language was spoken more correctly. Let me share some quotes from Chapter 3 of Guy Deutscher’s The Unfolding of Language (2005).

A review by Clive James in the Times Literary Supplement, 2002, lamented the falling off from the English of even just two generations ago when “a mistake was a mistake and not a sign of free expression”.

So, what did writers have to say of the language from the period of which James nostalgically refers? George Orwell, writing in the journal Horizon in 1946, stated “…most people who bother with the matter at all would admit that the English language is in a bad way”.

Is this a 20th century phenomenon? Hardly! In 1848 August Schleicher, a renowned linguist wrote that English showed “how rapidly the language of a nation important both in history and literature can sink” and predicted that English would likely further “sink into mono-syllabicity”.

Going back another century, Thomas Sheridan wrote in 1780 “…that many pronunciations, which thirty or forty years ago were confined to the vulgar, are gradually gaining ground [among people of fashion]; and if something is not done to stop this growing evil …English is  likely to become a mere jargon”. Sheridan believed that only seventy years earlier “during the reign of Queen Anne [1702-14] … English was … spoken in its highest state of perfection.”

But it was during the reign of Queen Anne that Jonathan Swift wrote what Deutscher described as “one of the most astoundingly bigoted rants” among language critiques – his “Proposal for Correcting, Improving and Ascertaining the English Tongue”. Swift begins with “…our Language is extremely imperfect; that its daily Improvements are by no means in proportion to its daily Corruptions…” and goes on (and on) from there.

Do you see a pattern here? And this pattern is by no means limited to English. Modern Germans consider the age of Goethe and Schiller to be its “Golden Age” yet Jacob Grimm (of fairy tale fame) lamented in 1819 (during Goethe’s lifetime) that, compared to the language of his day, “six hundred years ago every common peasant knew … perfections and niceties of the German language of which the best language-teachers nowadays can no longer even dream.”

Serge Koster complained in 2001 of the recent changes in French that are “corrupting a system of grammar which was constructed throughout the centuries, and which has stayed almost stable since the eighteenth century”. In 1843 the French philosopher Victor Cousin argued with author Victor Hugo that “the decay of the French language began in 1789.” Gaston Paris, a French linguist, goes much further back, stating in 1862 that French, because it developed from Vulgar Latin (the Latin of the “illiterate masses”), was “inferior in beauty and logic” to the Latin of the age of Virgil and Cicero.

Cicero himself, comparing the Latin of his day with the speech of a century before him, wrote “…practically everyone … in those days spoke correctly. But the lapse of time has certainly had a deteriorating effect in this respect.”

The pattern is clear. Every age laments the changes that they observe happening in their lifetime and look back on the previous generation as being superior. Why should this be?

Modern linguists now agree that language change is inevitable and unstoppable, and in itself is neither good nor bad. Even the strict Academie Francaise could not stop the French language from changing (as we saw in a previous post with the modern dropping of “ne”). But why is language change always seen as degradation? The answer, which was only recognized by linguists over the last few decades, is that the forces of destruction and decay are more easily observed than the forces of construction and creation. Both of these forces are constantly at work, gradually removing from, and adding to, the language.

I will leave descriptions of these opposing forces for future posts.

Skeuomorphs

Although not directly on the topic of language change, skeuomorph is somewhat related to retronyms and is at the very least an interesting word. I first learned of the concept in an October 2008 A.Word.A.Day e-newsletter.

A skeuomorph is a design element copied from a once-functional element that is no longer required due to change of material or technology, and often serves no practical purpose. A good example is the electronic "click" sound added to digital cameras. Another is "woodgrain" plastic laminate countertop. The click may have some function in telling the photographer that a photo was captured, but the only advantage of the woodgrain pattern is its appearance.

Wikipedia gives several definitions and many examples. Some examples date back hundreds of years, so it's not just a recent phenomena. Ceramic ware has been found with clay "rivets" and seams added to simulate more expensive metal ware. Ancient Greek stone buildings were built with design elements that had been functional with wooden construction, but were merely decorative with stone.

Other examples of skeuomorphs play on our modern nostalgia for "good old days". Sepia tone photographic prints can be made from color images using digital manipulation to simulate prints made in the 1880s and 1890s. Modern hubcaps are made with decorative spokes to look like car wheels from the 1930s. Plastic sandals are made to look like leather, complete with molded "stitching".

Can you think of other skeuomorph examples? Remember that the original feature that is copied must have been necessary or have served some function.